On Camera Monitors for video and DSLR

SDI, HDMI & HDR Solutions for Film and Broadcast

Lilliput A11 10.1 inch broadcast monitor SDI HDMI

Lilliput A11 10.1 inch broadcast monitor SDI HDMI
Full HD camera monitor with touchscreen for film production

€ 391.51 incl. VAT

in stock

LILLIPUT A13 4K OLED Broadcast Monitor 13.3 inches

-8% LILLIPUT A13 4K OLED Broadcast Monitor 13.3 inches
Multi-camera monitoring with multiview functions

€ 767.55 incl. VAT

in stock

Lilliput A5 – 5 inch on-camera monitor with 4K HDMI

-9% Lilliput A5 – 5 inch on-camera monitor with 4K HDMI
Full HD IPS display for filmmakers and videographers

€ 151.13 incl. VAT

in stock

Lilliput A7S 4K HDMI Monitor – 7 camera top

Lilliput A7S 4K HDMI Monitor – 7 camera top
Full HD monitoring with HDMI loop for camera setups

€ 201.11 incl. VAT

in stock

Lilliput A7S Black Edition – 7 4K HDMI Monitor

-21% Lilliput A7S Black Edition – 7 4K HDMI Monitor
IPS LCD video monitor with WUXGA 1920×1200 resolution

€ 178.50 incl. VAT

in stock

Lilliput FS5 On-Camera Monitor 5.4 HDMI 2.0 - SDI

Lilliput FS5 On-Camera Monitor 5.4 HDMI 2.0 - SDI
Compact 4K monitor with HDR, 3D LUT and 1920×1200

€ 260.61 incl. VAT

in stock

Lilliput FS7 – 7-inch on-camera monitor with SDI - HDMI

-5% Lilliput FS7 – 7-inch on-camera monitor with SDI - HDMI
Professional 4K camera monitor with metal housing

€ 269.00 incl. VAT

in stock

Lilliput H7 – 7 inch HDR monitor with 1800 nits

Lilliput H7 – 7 inch HDR monitor with 1800 nits
WUXGA display with 4K HDMI for video production

€ 260.61 incl. VAT

in stock

Lilliput H7S – 7 inch HDR monitor with 1800 nits

-10% Lilliput H7S – 7 inch HDR monitor with 1800 nits
HDMI & 3G-SDI video monitor for camera monitoring

€ 299.00 incl. VAT

in stock

Lilliput HT10S 10 inch HDR touchscreen camera monitor

-6% Lilliput HT10S 10 inch HDR touchscreen camera monitor
4K HDMI, 3G-SDI, LANC & 1500 nit for mobile production

€ 403.41 incl. VAT

in stock

Lilliput HT5S 5 inch HDR monitor 2000 nits

-10% Lilliput HT5S 5 inch HDR monitor 2000 nits
Camera monitor with HDMI 2.0, 3G-SDI and touchscreen

€ 299.00 incl. VAT

in stock

Lilliput HT7S 7 Touch Monitor – 2000 Nits

-4% Lilliput HT7S 7 Touch Monitor – 2000 Nits
On-camera monitor with HDR, SDI & LANC control

€ 389.00 incl. VAT

in stock

Lilliput Q5 – 5.5 inch FHD camera top monitor

-6% Lilliput Q5 – 5.5 inch FHD camera top monitor
IPS panel, SDI & HDMI for professional camera work

€ 391.51 incl. VAT

in stock

Lilliput Q7 Pro 7 inch preview monitor HDR 3D LUT

-24% Lilliput Q7 Pro 7 inch preview monitor HDR 3D LUT
Professional video monitor with SDI HDMI cross conversion

€ 449.00 incl. VAT

in stock

LILLIPUT Q7-12G – 7 on-camera monitor with 12G-SDI

LILLIPUT Q7-12G – 7 on-camera monitor with 12G-SDI
4K field monitor with 2000 nits for broadcast & outdoor filming

€ 712.81 incl. VAT

in stock

Lilliput V7 7-inch field monitor with voice control

-16% Lilliput V7 7-inch field monitor with voice control
4K HDMI monitor with HDR and 3D LUT for camera setups

€ 199.00 incl. VAT

in stock

Totevision LCD-703 HD HDMI video monitor

Totevision LCD-703 HD HDMI video monitor
High quality HDMI monitor with very good panel 800x480 pixels

€ 499.00 incl. VAT

in stock

VariZoom VZ-M5 Kit – 5 inch HDMI monitor for DSLR

-42% VariZoom VZ-M5 Kit – 5 inch HDMI monitor for DSLR
800×480 pixels, peaking & zoom remote control in a set

€ 289.00 incl. VAT

in stock

Professional On Camera Monitors for Broadcast and Film Production

Browse a carefully curated selection of professional on camera monitors at CVC, featuring trusted brands such as Lilliput and VariZoom across a wide range of models suited to demanding production environments. From compact 5-inch HDMI monitors designed for DSLR and mirrorless setups to larger 10-inch and 13-inch broadcast-grade displays with SDI connectivity, this category covers the full spectrum of on-set monitoring needs. Whether you are looking for touchscreen models with HDR support or rugged field monitors with high-brightness panels, you will find your ideal solution within this professional lineup.

Applications in Film, Video, and Broadcast Production

On camera monitors are an essential tool for filmmakers, videographers, and broadcast professionals who require accurate, real-time image evaluation directly on the camera rig. In film and television production, these monitors enable directors of photography to assess focus, exposure, framing, and color grading tools such as 3D LUT overlays without relying solely on the camera's built-in display. For broadcast and multi-camera production workflows, models with SDI and HDMI loop-through outputs allow seamless integration into larger monitoring chains, making them equally valuable on a studio floor or in mobile production environments.

Key Criteria for Choosing the Right On Camera Monitor

When selecting a professional camera monitor, the choice of connectivity is a fundamental consideration — SDI inputs offer robust signal transmission for broadcast-grade cameras, while HDMI models are well suited for mirrorless and cinema cameras commonly used in film production. Display resolution matters equally, with Full HD IPS panels and WUXGA resolutions providing the pixel density needed for critical focus and detail work, and 4K-capable monitors becoming increasingly relevant as production standards evolve. Additional factors such as panel brightness measured in nits, HDR support, touchscreen functionality, physical form factor, and the weight of the housing all influence how well a monitor will integrate into your specific camera and rigging setup.

Compatibility and Signal Standards

Professional on camera monitors available in this category are designed to be compatible with a broad range of signal standards, including 3G-SDI, 12G-SDI, and 4K HDMI, ensuring reliable operation across both legacy broadcast equipment and modern high-resolution camera systems. Features such as LANC control, loop-out connections, and support for waveform, vectorscope, and peaking overlays further enhance workflow compatibility in professional environments. Verifying that your chosen monitor supports the specific signal format and frame rates output by your camera is essential before committing to any particular model.


What is the difference between SDI and HDMI on camera monitors, and which should I choose?

SDI connections are designed for broadcast-grade cameras and professional production environments where long cable runs and robust signal integrity are required. HDMI inputs are better suited to mirrorless cameras, cinema cameras, and DSLR rigs where SDI ports are not available. Models such as the Lilliput FS5 and Lilliput FS7 offer both SDI and HDMI inputs, making them versatile for mixed workflows. If you work primarily in broadcast or ENG production, prioritise SDI. For film and indie production with mirrorless or hybrid cameras, HDMI-only monitors such as the Lilliput A5 or the VariZoom VZ-M5 Kit are a practical and cost-effective choice.


Which on camera monitors in this range support 4K signals?

Several models in this category support 4K input signals. The Lilliput A13 is a 13.3-inch 4K OLED broadcast monitor capable of displaying 4K content with exceptional contrast. The Lilliput A7S and A7S Black Edition both accept 4K HDMI signals for camera-top monitoring. The Lilliput FS5 features HDMI 2.0 alongside SDI, supporting 4K pass-through, and the Lilliput A5 is a compact 5-inch monitor with 4K HDMI input. These monitors are well suited to productions shooting in 4K where accurate monitoring of resolution and detail is critical.


Are there on camera monitors in this range with HDR support?

Yes. HDR support is available across several models in this category. The Lilliput H7 and H7S both offer HDR monitoring with 1800 nits peak brightness, making them suitable for high-dynamic-range shooting in bright outdoor conditions. The Lilliput HT5S provides HDR with 2000 nits, and the Lilliput HT7S touchscreen monitor also reaches 2000 nits with HDR capability. The Lilliput Q7 Pro supports HDR alongside 3D LUT overlays, which is particularly useful for on-set color evaluation in film and commercial production.


What are the benefits of a high-brightness panel on a camera monitor?

High-brightness panels allow you to evaluate the image accurately even in direct sunlight or brightly lit outdoor environments, where standard monitors become unreadable. Monitors such as the Lilliput HT5S with 2000 nits and the Lilliput H7 with 1800 nits are specifically designed for these demanding conditions. In studio or controlled indoor environments, brightness is less critical, but for documentary, news gathering, sports, or outdoor commercial work, a high-nit panel significantly improves the reliability of your on-set monitoring and reduces the risk of exposure or focus errors.


Which monitors support 3D LUT overlays for on-set color grading evaluation?

The Lilliput Q7 Pro is a 7-inch preview monitor that supports HDR and 3D LUT loading, allowing directors of photography to preview the graded look directly on set without post-processing. The Lilliput FS5 also supports 3D LUT and HDR in a compact 5.4-inch form factor with both HDMI 2.0 and SDI connectivity. Using 3D LUTs on a camera monitor is particularly valuable when shooting in log gamma profiles such as S-Log or C-Log, as it gives the crew an accurate representation of the intended final image while preserving the raw data for post-production.


Which on camera monitors are suitable for DSLR or mirrorless camera setups?

For DSLR and mirrorless camera rigs, HDMI-equipped monitors are the appropriate choice. The VariZoom VZ-M5 Kit is designed specifically for DSLR setups and includes mounting accessories for easy integration. The Lilliput A5, Lilliput A7S, and Lilliput Q5 are all compact, lightweight monitors with HDMI inputs well suited to smaller camera systems. These monitors provide a significantly larger and more accurate viewing area than the camera's built-in screen, improving focus assessment, framing, and exposure monitoring without adding excessive weight to a handheld or shoulder rig.


Are there touchscreen monitors available in this category?

Yes. The Lilliput HT10S is a 10-inch HDR touchscreen monitor designed for professional camera use, allowing direct interaction with menus and monitoring tools on screen. The Lilliput HT7S is a 7-inch touchscreen model with 2000 nits brightness and HDR support. Touchscreen functionality simplifies workflow on set by enabling faster access to exposure tools, focus peaking settings, and other monitoring parameters without navigating physical button menus, which is particularly practical during fast-paced production environments.


What does 12G-SDI mean, and which monitor in this range supports it?

12G-SDI is a single-cable SDI standard capable of transmitting 4K video signals at up to 60 frames per second over a standard BNC connection. It eliminates the need for quad-link SDI setups previously required for 4K broadcast signals. The Lilliput Q7-12G is the model in this category that supports 12G-SDI, making it suitable for high-end broadcast and cinema productions working with 4K SDI camera outputs. For productions using cameras with 12G-SDI outputs such as certain Sony, Blackmagic, or ARRI models, this monitor provides a straightforward and compact monitoring solution.


Can on camera monitors be used in multi-camera or broadcast studio setups?

Yes. Models with SDI and HDMI loop-through outputs can be integrated into larger monitoring chains, making them compatible with multi-camera broadcast workflows. The Lilliput A11 is a 10.1-inch broadcast monitor with SDI and HDMI that supports multi-camera monitoring with multiview functions, making it particularly relevant for studio and mobile production environments. Loop-through connectivity means the signal can be passed on to a video switcher, recorder, or additional monitor without interrupting the signal path, which is a standard requirement in broadcast and live production setups.


What screen sizes are available in this on camera monitor range?

The category covers a broad range of screen sizes to suit different production requirements. Compact 5-inch models include the Lilliput A5, Lilliput Q5, and Lilliput HT5S, which are ideal for lightweight camera rigs where minimal size and weight are priorities. Mid-range 7-inch monitors include the Lilliput FS7, H7, H7S, HT7S, A7S, Q7 Pro, and Q7-12G, offering a balance of screen real estate and portability. Larger broadcast-grade options include the Lilliput A11 at 10.1 inches, the Lilliput HT10S at 10 inches, and the Lilliput A13 OLED at 13.3 inches, which are better suited to director monitoring, DIT stations, or fixed camera positions.


What is OLED technology in a camera monitor, and why does it matter?

OLED panels produce light on a per-pixel basis, meaning black pixels are completely switched off rather than backlit. This results in true blacks, an effectively infinite contrast ratio, and highly accurate color reproduction compared to standard IPS LCD panels. The Lilliput A13 is the OLED model in this category, offering a 13.3-inch 4K display suited to critical image evaluation in broadcast and film production. OLED monitors are particularly valued by directors of photography and colorists who need to assess shadow detail, HDR content, and color accuracy with the highest possible precision directly on set.


Does the Lilliput V7 have any distinctive features compared to other 7-inch monitors in this range?

The Lilliput V7 stands out within the 7-inch monitor segment of this category by offering voice control functionality, which allows operators to adjust monitor settings hands-free. This is particularly useful in run-and-gun, documentary, or solo operator setups where reaching physical controls during a shot is impractical. Like other monitors in this range it provides field monitoring capabilities, but the voice control feature makes it a distinctive option for operators who prioritise workflow efficiency and minimal interruption during filming.


Are these monitors compatible with standard camera hot shoes and 15mm rod systems?

Professional on camera monitors in this category are generally designed to be compatible with standard mounting solutions used in film and broadcast production. Most models feature a standard cold shoe mount and are compatible with 15mm rod systems via articulating arms or NATO rail brackets, depending on the mounting accessory used. Monitors with metal housings such as some Lilliput models are built to withstand the mechanical demands of rigged camera setups. For specific mounting compatibility, it is advisable to check the individual product specifications, as mounting hardware is sometimes included or available as a separately purchased accessory.



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