to shopping cart

www.cvc.de

ikan

IKAN PD1-HT Remote Air One High Torque(PD Movie)

IKAN PD1-HT Remote Air One High Torque(PD Movie)

Model: PD1-HT
Features
Single channel programming
1 high torque drive motor
Aluminum unibody design
Remote with OLED display
2.4GHz digital wireless range up to 300 feet with 20 channels
Left/right handed operation
Automatic lens calibration
Can map virtually any cine-style lens

The PD Remote Air One High Torque Follow focus system is designed and built for videographers, cinematographers and filmmakers needing to control their lenses remotely.

The Remote Air Wireless Follow Focus system delivers field-tested reliability, solid construction, and professional features to bring you performance on set or in the studio.

The PD1-HT is an adaptable camera control solution offering lens focus, zoom/iris control for precise, reliable, and consistent performance.

With today s new demands in film and video production, the need for a reliable wireless follow focus system is greater than ever. As complex shots on jibs, dollies, gimbals and steadicams creates zoom and focusing challenges the Remote Air System offers professional solutions that adapt to your different shooting styles and needs.

The PD Movie Remote Air One High Torque wireless follow focus system is a complete solution that brings reliable performance to the most involved shooting situations. Designed for cine style lenses, this single channel system allows you to precisely control focus and or iris/ zoom. Use the control wheel to focus from slow to quick rack moves or to ramp your zooms with no delay in latency. The durable aluminum uni-body hand unit features an OLED display with channel and connection strength read outs. With 20 channels to choose from, the unit maintains peak performance without interference up to 300 feet away.

The system features automatic lens calibration and can map virtually any cinema style lens right out of the box. The included drive motor delivers professional grade performance, critical when shooting with high-end cinema glass.
The motor and receiver can be powered by your existing pro battery system with the included p-tap cable. The hand unit has a rechargeable internal lithium battery and runs for up to 30 hours on a single charge. Use the included Lemo to USB charging cable to keep it powered up and ready to go.

Assistant Camera Operators will appreciate a complete system that is ready to work out of the case. With a solid build and robust performance, The PD Movie Remote Air one wireless follow focus system is the all in one package today s camera technicians need in an ever increasingly demanding industry.

PD Movie Features

Durable all metal construction

PD Movie Remote Air is made of durable all metal construction. It has been designed and crafted to be a professional grade production tool.

30 hour battery life

The wireless hand controller has a 30 hour battery life which allows worry free continuous use without the need for frequent recharging. For continuous use plug the hand unit into a portable USB charger and keep on shooting.

All cables and controllers included

Compared to similar units, the PD Movie Remote Air comes out of the box with everything you need: 1 Hand Controller Unit (Transmitter) 1 Motor Control Unit (Receiver) Standard Torque or High Torque Drive Motors, and cabling. Simply plug the provided D-tap power cable to a pro battery (not included) or other D-tap power supply options @ 12-20v.

Fits 15mm and19mm Rods

Two step-down rings are provided for securely mounting the motor and the receiver to the 15mm or 19mm rods.


PD Move Remote Air comes in 4 versions to meet your shooting requirements


The PD1 Remote Air One = Single Channel. One standard drive motor
The PD2 Remote Air Two = Dual channel programming. Two standard drive motors
The PD1-HT Remote Air One High Torque = Single Channel. One High Torque motor
The PD2-HT Remote Air Two High Torque = Dual Chanel. One High Torque, One standard drive motor.


The Standard Drive Motor will work with smaller easily moveable geared focus rings. It is adaptable with lenses without focus rings by attaching a focus ring (not included). It will drive most standard 0.8 geared cinema primes or zooms however it is recommended that if the action of the lens is tight or the diameter is large you use a High Torque version.

The High Torque Drive motor works with all lenses with standard 0.8 lens gearing. It is the recommended motor for zoom control, larger diameter lenses or lenses with a tighter barrel movement. The high torque motor has a motor clutching feature to protect your lens hard stops. The motor drive gear is a soft gear to protect your lens.

2.4 Digital Wireless

PD Movie Remote Air operates in the 2.4 GHz range, far from TV and DTV interference

Range up to 300

Use the remote air confidently up to 300 . By utilizing the Transmit (TX) and Received (RX) signal strength read-out on the hand control, the operator can move around the set freely while keeping signal throughout the shot. Execute gimbal, jib or remote camera moves without losing precise camera lens control.

Automatic Lens Calibration

A single button push will automatically calibrate the lens to its hard stops. Then you are ready to begin marking your points on one of three provided removable focus marking disks.

Maps Cine Style Lenses

PD Movie Remote Air can easily map you cine style lenses. The included 32 pitch 0.8 gear will fit most available cine lenses. Additional lens pitch gears 0.6 and 0.4 are offered separately (soon to be available)

Maps Lenses without Hard Stops

Even if your lenses don t have hard stops the PD Movie Remote Air allows mapping of lenses by calibrating the lens with a lens strap.

A brief tutorial can be found here http://vimeo.com/97558755

Sets Manual A-B Stop

With the PD Movie Remote air the manual set up allows the user to create the same effect as a hard stop just like a traditional follow focus.

Re-Maps short throw lenses to the full range of focus dial.

The PD Movie Remote Air allows the user greater lens control by giving you more room on your dial for lens adjustment. There are 0-500 digital positions on the control wheel that are displayed on the OLED Screen that may serve as additional reference for your marks
Change Motor Direction

Lenses directional operation can change depending on the brand. PD Movie Remote Air will cater to the lens no matter what direction it operates.

3D Lens Control

If you wish to control two identical lenses side by side such as when shooting 3D footage both lens motors can be controlled simultaneously with one hand control unit.

€ 2121.00 incl. VAT

IKAN PD1 Remote Air One (PD Movie)

IKAN PD1 Remote Air One (PD Movie)

Features
• • Single channel programming
• 1 standard drive motor
• Aluminum unibody design
• Remote with OLED display
• 2.4GHz digital wireless range up to 300 feet with 20 channels
• Left/right handed operation
• Automatic lens calibration
• Can map virtually any cine-style lens
The PD Remote Air One Follow focus system is designed and built for videographers, cinematographers and filmmakers needing to control their lenses remotely.
The Remote Air Wireless Follow Focus system delivers field-tested reliability, solid construction, and professional features to bring you performance on set or in the studio.
The PD1 is an adaptable camera control solution offering lens Focus and Zoom/Iris control for precise, reliable, and consistent performance.
With today s new demands in film and video production, the need for a reliable wireless follow focus system is greater than ever. As complex shots on jibs, dollies, gimbals and steadicams creates zoom and focusing challenges the Remote Air System offers professional solutions that adapt to your different shooting styles and needs.
The PD Movie Remote Air One wireless follow focus system is a complete solution that brings reliable performance to the most involved shooting situations. Designed for standard style lenses, this single channel system allows you to precisely control focus and/or the iris/ zoom. Use the control wheel to focus from slow to quick rack moves or to ramp your zooms with no delay in latency. The durable aluminum uni-body hand unit features an OLED display with channel and connection strength read outs. With 20 channels to choose from, the unit maintains peak performance without interference up to 300 feet away.
The system features automatic lens calibration and can map virtually any cinema style lens right out of the box. The motor and receiver can be powered by your existing pro battery system with the included p-tap cable. The hand unit has a rechargeable internal lithium battery and runs for up to 30 hours on a single charge. Use the included Lemo to USB charging cable to keep the system powered up and ready to go.
Assistant Camera Operators will appreciate a complete system that is ready to work out of the case. With a solid build and robust performance, The PD Movie Remote Air One wireless follow focus system is the all in one package today s camera technicians need in an ever increasingly demanding industry.

PD Movie Features
Durable all metal construction
PD Movie Remote Air is made of durable all metal construction. It has been designed and crafted to be a professional grade production tool.
30 hour battery life
The wireless hand controller has a 30-hour battery life for worry free continuous use without the need for frequent recharging. For continuous use plug the hand unit into a portable USB charger and keep on shooting.
All cables and controllers included
Compared to similar units, the PD Movie Remote Air comes out of the box with everything you need: 1 Hand Controller Unit (Transmitter) 1 Motor Control Unit (Receiver) Standard Torque or High Torque Drive Motors, and cabling. Simply plug the provided D-tap power cable to a pro battery (not included) or other D-tap power supply options @ 12-20v.
Fits 15mm and19mm Rods
Two step-down rings are provided for securely mounting the motor and the receiver to the 15mm or 19mm rods.
PD Move Remote Air comes in 4 versions to meet your shooting requirements
• • The PD1 Remote Air One = Single Channel. One standard drive motor
• The PD2 Remote Air Two = Dual channel programming. Two standard drive motors
• The PD1-HT Remote Air One High Torque = Single Channel. One High Torque motor
• The PD2-HT Remote Air Two High Torque = Dual Chanel. One High Torque, One standard drive motor.
The Standard Drive Motor will work with smaller easily moveable geared focus rings. A focus ring (not included) can be attached to adapt lenses that do not have a focus ring. It will drive most standard 0.8 geared cinema primes or zooms; however it is recommended that if the action of the lens is tight or the diameter is large you use a High Torque version.
The High Torque Drive motor works with all lenses with standard 0.8 lens gearing. It is the recommended motor for zoom control, larger diameter lenses or lenses with a tighter barrel movement. The high torque motor has a motor clutching feature to protect your lens hard stops. The motor drive gear is a soft gear to protect your lens.
2.4 Digital Wireless
PD Movie Remote Air operates in the 2.4 GHz range, far from TV and DTV interference
Range up to 300

Use the remote air confidently up to 300 . By utilizing the Transmit (TX) and Received (RX) signal strength read-out on the hand control, the operator can move around the set freely while keeping signal throughout the shot. Execute gimbals, jib or remote camera moves without losing precise camera lens control.
Automatic Lens Calibration
A single button push will automatically calibrate the lens to its hard stops. Then you are ready to begin marking your points on one of three provided removable focus marking disks.
Maps Cine Style Lenses
PD Movie Remote Air can easily map you cine style lenses. The included 32 pitch 0.8 gear will fit most available cine lenses. Additional lens pitch gears 0.6 and 0.4 are offered separately (soon to be available)
Maps Lenses without Hard Stops
Even if your lenses don t have hard stops the PD Movie Remote Air allows mapping of lenses by calibrating the lens with a lens strap.
Sets Manual A-B Stop
With the PD Movie Remote air the manual set up allows the user to create the same effect as a hard stop just like a traditional follow focus.
• • Re-Maps short throw lenses to the full range of the focus dial.
• The PD Movie Remote Air allows the user greater lens control by giving you more room on your dial for lens adjustment. There are 0-500 digital positions on the control wheel that are displayed on the OLED Screen that may serve as additional reference for your marks
• Change Motor Direction
Lenses directional operation can change depending on the brand. PD Movie Remote Air will cater to the lens no matter what direction it operates.
3D Lens Control
If you wish to control two identical lenses side by side, such as when shooting 3D footage, both lens motors can be controlled simultaneously with one hand control unit.



€ 1885.00 incl. VAT

IKAN PD2 Remote Air Two (PD Movie)

IKAN PD2 Remote Air Two (PD Movie)

Model: PD2
Features
Dual channel programming
2 standard drive motors
Aluminum unibody design
Remote with OLED display
2.4G digital wireless range up to 300 feet with 20 channels
Left/right handed operation
Automatic lens calibration
Can map virtually any cine-style lens

The PD2 Remote Air Two Follow focus system is designed and built for videographers, cinematographers and filmmakers needing to control their lenses remotely.

The Remote Air Wireless Follow Focus system delivers field-tested reliability, solid construction, and professional features to bring you performance on set or in the studio.

The PD2 is an adaptable camera control solution offering lens focus, zoom/iris control for precise reliable consistent performance.


With today s new demands in film and video production, the need for a reliable wireless follow focus system is greater than ever. As complex shots on jibs, dollies, gimbals and steadicams creates zoom and focusing challenges the Remote Air System offers professional solutions that adapt to your different shooting styles and needs.


The PD Movie Remote Air Two wireless follow focus system is a complete solution that brings reliable performance to the most involved shooting situations. Designed for standard style lenses, this dual channel system allows you to precisely control both focus and iris/ zoom with a single unit. Use the control wheel to focus from slow to quick rack moves or to ramp your zooms with no delay in latency. The durable aluminum uni-body hand unit features an OLED display with channel and connection strength read outs. With 20 channels to choose from, the unit maintains peak performance without interference up to 300 feet away.

The system features automatic lens calibration and can map virtually any cinema style lens right out of the box. The two included motors deliver professional grade performance, critical when shooting with high-end cinema glass.
The motors and receiver can be powered with your existing pro battery system with the included p-tap cable. The hand unit has a rechargeable internal lithium battery and runs for up to 30 hours on a single charge. Use the included Lemo to USB charging cable to keep it powered up and ready to go.


Assistant Camera Operators will appreciate a complete system that is ready to work out of the case. With a solid build and robust performance, The PD Movie Remote Air Two wireless follow focus system is the all in one package today s camera technicians need in an ever increasingly demanding industry.

PD Movie Features

Durable all metal construction

PD Movie Remote Air is made of durable all metal construction. It has been designed and crafted to be a professional grade production tool.

30 hour battery life

The wireless hand controller has a 30 hour battery life which allows worry free continuous use without the need for frequent recharging. For continuous use plug the hand unit into a portable USB charger and keep on shooting.

All cables and controllers included

Compared to similar units, the PD Movie Remote Air comes out of the box with everything you need: 1 Hand Controller Unit (Transmitter) 1 Motor Control Unit (Receiver) Standard Torque or High Torque Drive Motors, and cabling. Simply plug the provided D-tap power cable to a pro battery (not included) or other D-tap power supply options @ 12-20v.

Fits 15mm and19mm Rods

Three step-down rings are provided for securely mounting the motors and the receiver to the 15mm or 19mm rods.

PD Move Remote Air comes in 4 versions to meet your shooting requirements


The PD1 Remote Air One = Single Channel. One standard drive motor
The PD2 Remote Air Two = Dual channel programming. Two standard drive motors
The PD1-HT Remote Air One High Torque = Single Channel. One High Torque motor
The PD2-HT Remote Air Two High Torque = Dual Chanel. One High Torque, One standard drive motor.


The Standard Drive Motor will work with smaller easily moveable geared focus rings. It is adaptable with lenses without focus rings by attaching a focus ring (not included). It will drive most standard 0.8 geared cinema primes or zooms however it is recommended that if the action of the lens is tight or the diameter is large you use a High Torque version.

The High Torque Drive motor works with all lenses with standard 0.8 lens gearing. It is the recommended motor for zoom control, larger diameter lenses or lenses with a tighter barrel movement. The high torque motor has a motor clutching feature to protect your lens hard stops. The motor drive gear is a soft gear to protect your lens.

2.4 Digital Wireless

PD Movie Remote Air operates in the 2.4 GHz range, far from TV and DTV interference

Range up to 300

Use the remote air confidently up to 300 . By utilizing the Transmit (TX) and Received (RX) signal strength read-out on the hand control, the operator can move around the set freely while keeping signal throughout the shot. Execute gimbal, jib or remote camera moves without losing precise camera lens control.

Automatic Lens Calibration

A single button push will automatically calibrate the lens to its hard stops. Then you are ready to begin marking your points on one of three provided removable focus marking disks.

Maps Cine Style Lenses

PD Movie Remote Air can easily map you cine style lenses. The included 32 pitch 0.8 gear will fit most available cine lenses. Additional lens pitch gears 0.6 and 0.4 are offered separately (soon to be available)

Maps Lenses without Hard Stops

Even if your lenses don t have hard stops the PD Movie Remote Air allows mapping of lenses by calibrating the lens with a lens strap.

A brief tutorial can be found here http://vimeo.com/97558755

Sets Manual A-B Stop

With the PD Movie Remote air the manual set up allows the user to create the same effect as a hard stop just like a traditional follow focus.

Re-Maps short throw lenses to the full range of focus dial.

The PD Movie Remote Air allows the user greater lens control by giving you more room on your dial for lens adjustment. There are 0-500 digital positions on the control wheel that are displayed on the OLED Screen that may serve as additional reference for your marks
Change Motor Direction

Lenses directional operation can change depending on the brand. PD Movie Remote Air will cater to the lens no matter what direction it operates.

3D Lens Control

If you wish to control two identical lenses side by side such as when shooting 3D footage both lens motors can be controlled simultaneously with one hand control unit.

€ 3166.90 incl. VAT

IKAN PD2-HT Remote Air Two High Torque (PD Movie)

IKAN PD2-HT Remote Air Two High Torque (PD Movie)

Model: PD2-HT
Features
Dual channel programming
1 high torque drive motor
1 standard drive motor
Aluminum unibody design
Remote with OLED display
2.4GHz digital wireless range up to 300 feet with 20 channels
Left/right handed operation
Automatic lens calibration
Can map virtually any cine-style lens

The PD2-HT Remote Air Two High Torque Follow focus system is designed and built for videographers, cinematographers and filmmakers needing to control their lenses remotely.

The Remote Air Wireless Follow Focus system delivers field-tested reliability, solid construction, and professional features to bring you performance on set or in the studio.

The PD2-HT is an adaptable camera control solution offering lens focus, zoom/iris control for precise reliable consistent performance.


With today s new demands in film and video production, the need for a reliable wireless follow focus system is greater than ever. As complex shots on jibs, dollies, gimbals and steadicams creates Zoom and Focusing challenges the Remote Air System offers professional solutions that adapt to your different shooting styles and needs.


The PD Movie Remote Air Two High Torque wireless follow focus system is a complete solution that brings reliable performance to the most involved shooting situations. Designed for cine style lenses, this dual channel system allows you to precisely control both focus and iris/ zoom with a single unit. Use the control wheel to focus from slow to quick rack moves or to ramp your zooms with no delay in latency. The durable aluminum uni-body hand unit features an OLED display with channel and connection strength read outs. With 20 channels to choose from, the unit maintains peak performance without interference up to 300 feet away.

The system features automatic lens calibration and can map virtually any cinema style lens right out of the box. The two included motors deliver professional grade performance, critical when shooting with high-end cinema glass with greater lens torque.

The motors and receiver can be powered with your existing pro battery system with the included p-tap cable. The handle unit has a rechargeable internal lithium battery and runs for up to 30 hours on a single charge. Use the included Lemo to USB charging cable to keep it powered up and ready to go.


Assistant Camera Operators will appreciate a complete system that is ready to work out of the case. With a solid build and robust performance, The PD Movie Remote Air Two High Torque wireless follow focus system is the all in one package today s camera technicians need in an ever increasingly demanding industry.

PD Movie Features

Durable all metal construction

PD Movie Remote Air is made of durable all metal construction. It has been designed and crafted to be a professional grade production tool.

30 hour battery life

The wireless hand controller has a 30 hour battery life which allows worry free continuous use without the need for frequent recharging. For continuous use plug the hand unit into a portable USB charger and keep on shooting.

All cables and controllers included

Compared to similar units, the PD Movie Remote Air comes out of the box with everything you need: 1 Hand Controller Unit (Transmitter) 1 Motor Control Unit (Receiver) Standard Torque or High Torque Drive Motors, and cabling. Simply plug the provided D-tap power cable to a pro battery (not included) or other D-tap power supply options @ 12-20v.

Fits 15mm and19mm Rods

Three step-down rings are provided for securely mounting the motors and the receiver to the 15mm or 19mm rods.

PD Move Remote Air comes in 4 versions to meet your shooting requirements

The PD1 Remote Air One = Single Channel. One standard drive motor
The PD2 Remote Air Two = Dual channel programming. Two standard drive motors
The PD1-HT Remote Air One High Torque = Single Channel. One High Torque motor
The PD2-HT Remote Air Two High Torque = Dual Chanel. One High Torque, One standard drive motor.

The Standard Drive Motor will work with smaller easily moveable geared focus rings. It is adaptable with lenses without focus rings by attaching a focus ring (not included). It will drive most standard 0.8 geared cinema primes or zooms however it is recommended that if the action of the lens is tight or the diameter is large you use a High Torque version.

The High Torque Drive motor works with all lenses with standard 0.8 lens gearing. It is the recommended motor for zoom control, larger diameter lenses or lenses with a tighter barrel movement. The high torque motor has a motor clutching feature to protect your lens hard stops. The motor drive gear is a soft gear to protect your lens.

2.4 Digital Wireless

PD Movie Remote Air operates in the 2.4 GHz range, far from TV and DTV interference

Range up to 300

Use the remote air confidently up to 300 . By utilizing the Transmit (TX) and Received (RX) signal strength read-out on the hand control, the operator can move around the set freely while keeping signal throughout the shot. Execute gimbal, jib or remote camera moves without losing precise camera lens control.

Automatic Lens Calibration

A single button push will automatically calibrate the lens to its hard stops. Then you are ready to begin marking your points on one of three provided removable focus marking disks.

Maps Cine Style Lenses

PD Movie Remote Air can easily map you cine style lenses. The included 32 pitch 0.8 gear will fit most available cine lenses. Additional lens pitch gears 0.6 and 0.4 are offered separately (soon to be available)

Maps Lenses without Hard Stops

Even if your lenses don t have hard stops the PD Movie Remote Air allows mapping of lenses by calibrating the lens with a lens strap.

A brief tutorial can be found here http://vimeo.com/97558755

Sets Manual A-B Stop

With the PD Movie Remote air the manual set up allows the user to create the same effect as a hard stop just like a traditional follow focus.

Re-Maps short throw lenses to the full range of focus dial.
The PD Movie Remote Air allows the user greater lens control by giving you more room on your dial for lens adjustment. There are 0-500 digital positions on the control wheel that are displayed on the OLED Screen that may serve as additional reference for your marks
Change Motor Direction

Lenses directional operation can change depending on the brand. PD Movie Remote Air will cater to the lens no matter what direction it operates.

3D Lens Control

If you wish to control two identical lenses side by side such as when shooting 3D footage both lens motors can be controlled simultaneously with one hand control unit.

€ 3298.91 incl. VAT

IKAN Remote Live 2 Single Channel Compact Focus Kit

IKAN Remote Live 2 Single Channel Compact Focus Kit

PDL-F
The PDL-F Remote Live 2 Compact Follow Focus Control harnesses the power and precision of PD Movie's popular follow focus systems in a compact control set perfect for both camera stabilizing and traditional camera setups. The PDL-F attaches easily to most rigs. Simply install the precision motor onto either a 15 or 19mm rod and firmly lock its drive gear into the gearing of your lens; its 0.8 pitch gear is compatible with most common cinema lenses. Then, attach the lens control module to your mounting point of choice (less than 1" in diameter), and provide power using the D-tap to lemo compatible adapter. After installing, simply push the control set's button to start and calibrate the unit. Once you do that, your follow focus is ready to use. With full tactile operation, the PDL-F reacts according to how you maneuver the control and not to a preset speed or programmed reaction. Its compact size is a welcome inclusion to your camera rig even those requiring lighter payloads.

Precision Motor
The precise movement of the PD3-M motors follow every nuanced adjustment you make to your focus and zoom.


Get Attached
The PDL-F can be installed quickly to most camera setups that incorporate mounting rods.

Control Multiple Motors
Both the Focus and Zoom controls can be set to operate numerous motors, perfect for setting up elaborate 3D and special effects rigs.

Lightweight yet Effective
While powerful enough to be used in traditional camera setups, the PDL-F is perfect for lightweight applications such as a gimbal or Steadicam operation.

Simple to Operate
A simple "one-button-per-channel" control makes calibration and changing settings a breeze.



€ 1130.49 incl. VAT

IKAN CV600 - portable LED Spectrometer Flickermeter

IKAN CV600 - portable LED Spectrometer Flickermeter


Features
Wavelength 380nm-780nm
Modify ME Design for Flicker
Color Correction Filters Calculator
New Bold Color Interface
Flexible Adjustment of the Basic list
Added Measuring Functions with CRI measurements
Exposure Mode allows you to take measurements in the T Mode, TF Mode, F Mode, and EV Mode

CV600
The CV600 is the next generation of advanced Color/Exposure meters from UPRtek. It's designed for quick, efficient measurements. Its new Color Correction Filters Calculator makes it easy to match the color of any light source. The New Exposure setting allows you to take readings in T, F, TF, and EV modes. Among its features include CRI, CCT, LUX, Delta Ascension, Spectrum Analysis and Flicker measurements. The CV600 provides effortless data transfer through its SD card (data) storage slot. The CV600 is a cost-effective LED color/Exposure meter that is portable, lightweight and easy-to-operate!


Wavelength 380nm-780nm
The spectral wavelength of the CV600 ranges between 380nm-780nm. This allows users to have a solid understanding of where Delta Ascension happens.

Flicker Measuring Modification
The CV600 Flicker Mode allows the user to judge whether the light that is being measured is within the cameras Frames per Second or the Flicker is outside the safe (PASS) zone. This would allow the camera to see the flickering of the light in the frame.

Color Correction Filters Calculator
The new Color Correction Filters calculator provides an efficient method of identifying and matching the color of any light source. Through its calculated readings, it finds which gel would have the most accurate color temperature.

Bold Color Interface
New color interface make finding the correct screen easy.

Flexible Adjustment of the Basic List
Having a variety of options at your fingertips makes the CV600 a great tool to have on set.

CRI Measurements
The color by color read out of all the 15 swatches in the CRI index give you a quick overview of the LED lights performance.

Exposure Mode
The Exposure modes allow for the user to adjust for Time of exposure (T Mode) also F-Stop (F mode) setting the iris. Also (TF Mode) setting of both time and F-stop. The (EV Mode) Exposure Value allows you to compensate for light or dark in the image.



€ 1499.00 incl. VAT

in stock

IKAN D12-FK-V 11.6 Zoll 3G-SDI Full HD Monitor in hardcase

IKAN D12-FK-V 11.6 Zoll  3G-SDI Full HD Monitor in hardcase

The IKAN D12 is the only 11.6 inch monitor with Full HD resolution

Features:
• Resolution of 1920x1080
• IPS LCD Panel for Better Color and Viewing Angles
• Histogram for Getting the Perfect Exposure
• 3G-SDI Inputs with Loop Through
• HDMI Input with Loop Through Built-in Stereo Speaker w/ Audio I/O False Color, Peaking, Clip Guides, DSLR Scaling
• Tally System (On-Screen)
• Heavy Duty Metal Construction
• Supports VESA 100mm
• Includes Table Mount
Video Inputs
• 3G-SDI
• HDMI
• FlightCase

The D12 is ikan s newest member of the D-Series monitors. It features a beautiful full HD 1920 x 1080 IPS panel with great viewing angles and amazing color reproduction. The D12 feels at home on your edit suite or in the field with its included adjustable table stand with bc-20 threaded holes for attachment to light stands. The monitor is constructed of all metal to ensure durability on the most demanding sets. When It comes to I/O the D12 has you covered with its 3G-SDI and HDMI inputs and outputs.

1920 x 1080 IPS Panel

The first thing you notice when you see the D12 is its incredible Full HD IPS Panel. Packing a total of 2,073,600 pixels into its 11.6 inch 1920 x 1080 panel, the D12 gives you a super sharp image. In addition to the sharpness the fact that it s an IPS panel gives you great color rendition as well as near perfect viewing angles.

Durable Metal Construction

Durability is something the D12 excels at. The all metal frame inspires confidence whenever you take it out on the field. The table stand doubles as a yoke you can attach to most light stands with a bc-20 stud. Its handle allows you to move it freely wherever it is needed.

Input/Output

The D12 features SDI and HDMI inputs and outputs. Since the monitor is all digital you get the purest and cleanest signal directly to the LCD panel. Removing legacy analog inputs and circuits helps keep your image as clean as possible.

Power
Out in the field, battery power is essential. The D12 features hole patterns for both AB mount and V-mount battery plates to help you power it all day long. The monitor supports 7-24v giving you enough range to keep your monitor safe from most voltage spikes from power sources.




€ 1552.00 incl. VAT

will be ordered

IKAN D12 11.6 Zoll 3G-SDI Full HD Monitor with IPS Panel

IKAN D12 11.6 Zoll  3G-SDI Full HD Monitor with IPS Panel

The IKAN D12 is the only 11.6 inch monitor with Full HD resolution

Features:
• Resolution of 1920x1080
• IPS LCD Panel for Better Color and Viewing Angles
• Histogram for Getting the Perfect Exposure
• 3G-SDI Inputs with Loop Through
• HDMI Input with Loop Through Built-in Stereo Speaker w/ Audio I/O False Color, Peaking, Clip Guides, DSLR Scaling
• Tally System (On-Screen)
• Heavy Duty Metal Construction
• Supports VESA 100mm
• Includes Table Mount
Video Inputs
• 3G-SDI
• HDMI

The D12 is ikan s newest member of the D-Series monitors. It features a beautiful full HD 1920 x 1080 IPS panel with great viewing angles and amazing color reproduction. The D12 feels at home on your edit suite or in the field with its included adjustable table stand with bc-20 threaded holes for attachment to light stands. The monitor is constructed of all metal to ensure durability on the most demanding sets. When It comes to I/O the D12 has you covered with its 3G-SDI and HDMI inputs and outputs.

1920 x 1080 IPS Panel

The first thing you notice when you see the D12 is its incredible Full HD IPS Panel. Packing a total of 2,073,600 pixels into its 11.6 inch 1920 x 1080 panel, the D12 gives you a super sharp image. In addition to the sharpness the fact that it s an IPS panel gives you great color rendition as well as near perfect viewing angles.

Durable Metal Construction

Durability is something the D12 excels at. The all metal frame inspires confidence whenever you take it out on the field. The table stand doubles as a yoke you can attach to most light stands with a bc-20 stud. Its handle allows you to move it freely wherever it is needed.

Input/Output

The D12 features SDI and HDMI inputs and outputs. Since the monitor is all digital you get the purest and cleanest signal directly to the LCD panel. Removing legacy analog inputs and circuits helps keep your image as clean as possible.

Power
Out in the field, battery power is essential. The D12 features hole patterns for both AB mount and V-mount battery plates to help you power it all day long. The monitor supports 7-24v giving you enough range to keep your monitor safe from most voltage spikes from power sources.




€ 1307.81 incl. VAT

IKAN DH7 7 inch 4K Support HDMI On-Camera LCD Field Monitor

IKAN DH7 7 inch 4K Support HDMI On-Camera LCD Field Monitor


DH7
The Ikan DH7 Full HD monitor features 4K HDMI capabilities all within a lightweight, affordable package. The 7" monitor's 1920x1200 HD resolution combined with an IPS screen delivers vibrant color and strong viewing angles. It can handle 4K signals from the most popular 4K HDMI cameras and offers two programmable feature buttons. It's no surprise the DH7's simple, practical design makes it the ideal size and weight for field production.

4K Signal Capability
The DH7 supports HDMI input and output signals up to 3840x2160 video resolution. It also offers 1:1 pixel mapping and peaking to ensure everything stays in sharp focus.

1920 x 1200 IPS Panel
The high quality IPS panel will render the best possible image regardless of the monitor's signal. With deep black and nearly perfect viewing angles, the DH7 is the perfect companion for the shooter on the go.

Inputs and Outputs
It's incredibly easy to set your 4K HDMI input and output signals on the DH7. A headphone jack and audio meter display allows you to create clean audio levels. A USB port is also included for software updates.

Battery Power
The DH7 monitor comes with the Sony L series and Canon E6 battery plate. In addition to supporting Ikan's BP5 battery plate system, it's also compatible with the Canon 900, Sony BP-U, Panasonic D54, Panasonic G6 and the Nikon EL-15!

Software Features

Peaking
Ikan monitors are equipped with Monochrome Peaking features which highlight the desired focus area in a bright, red outline. The operator adjusts the focus control until the red indicator outlines on the desired area are razor sharp, indicating optimal focus. For the best results, be sure the subject is properly exposed.

Movable pixel to pixel
The 1:1 pixel-to-pixel mapping allows the video professional to emphasize on individual chosen elements in the shot. This feature is essential for capturing optimum detail.

DSLR Scaling
The DSLR Scaling function enables users to extend their DSLR camera s HDMI video output to any option of four: Normal, 3:2, 16:9 or Full Screen - convenience made simple.

Underscan
Underscan constrains the size of your image so the monitor shows everything the camera is seeing.

€ 589.00 incl. VAT

IKAN SAGA SX7 high brightness field monitor HDMI and 3G-SDI

IKAN SAGA SX7 high brightness field monitor HDMI and 3G-SDI

Model: SX7

Features
• 1920 x 1200 Full HD Plus LCD Panel
• 2000 nit Super High Bright LCD Panel
• Custom 3D-LUT Support
• HDR Preview
• Waveform, Vectorscope, RGB Parade, Histogram
• 3G-SDI / HDMI Inputs and Outputs
• IPS Screen for More Accurate Color & Viewing Angles
• Peaking, False Color, Clip Guides, & Pixel to Pixel
• Headphone Output

Saga SX7
The Ikan Saga line of LCD monitors is designed to help you tell your story. The 7" super bright SX7 is designed with high end features, durability, and field use in mind. The SX7 is viewable in even the brightest conditions with its super bright 2000 nit LCD panel. With the aluminum chassis and gorilla glass, the SX7 is able to survive any production shoot. The monitor's high end software features such as scopes and 3D-LUTs help you get the right shot the first time.

Super High Bright
The Saga SX7 is equipped with an LCD panel that cranks out 2000 nits of brightness, which is about 4 times as bright as most monitors. Not only is the panel bright, but it is also extremely sharp and accurate.

High End Video Analysis
The SX7 is packed with video analysis features that help you get the perfect picture. The monitor has highly accurate Waveform, Vectorscope, RGB Parade and Histogram. The SX7 also has up to 8 channel audio level meters.

1920 x 1200 IPS Panel
Not only is the SX7's LCD panel bright, it is also high resolution. The 1920 x 1200 resolution gives you a sharp picture and the IPS technology gives you great viewing angles and accurate colors.

3D-LUT Capabilities
The Saga SX7 supports 3D-LUTs. It allows you to load LUT files from a USB stick and comes pre-loaded with profiles for popular cameras.

Software Features
• 3D LUTs
• HDR Preview
• Guides
• Grids
• Crosshair
• Waveform
• Vectorscope
• RGB Parade
• Histogram
• Audio Meters
• Peaking
• False Color
• Image Zoom
• Image Flip
• Check FIeld
• Zebra
• Underscan
• USB Firmware Update

Inputs & Outputs
The S7X is equipped with both HDMI and 3G-SDI inputs and outputs. In addition, the monitor also has a 3.5mm headphone output so you can monitor your audio from the S7X. Tally is also included as well as a USB port for software upgrades and importing 3D-LUTs. The 5V from the USB port will also power various 5V devices.

Battery Power
The S7X supports both pro batteries as well as DV batteries. Support for pro batteries ensures all day run times and support for DV batteries allows for low cost power options. The monitor also features a mini-XLR power input for a secure connection.

Durability & Dependability
The SX7 is ready for the daily rigors of field production. The monitor's casing is made from 100% aluminum and the screen is protected by Gorilla glass. This all makes the SX7 rugged and dependable.

€ 1125.00 incl. VAT

IKAN DH7-DK 7 inch 4K Support HDMI On-Camera LCD KIT

IKAN DH7-DK 7 inch 4K Support HDMI On-Camera LCD KIT

DH7
The Ikan DH7 Full HD monitor features 4K HDMI capabilities all within a lightweight, affordable package. The 7" monitor's 1920x1200 HD resolution combined with an IPS screen delivers vibrant color and strong viewing angles. It can handle 4K signals from the most popular 4K HDMI cameras and offers two programmable feature buttons. It's no surprise the DH7's simple, practical design makes it the ideal size and weight for field production.

4K Signal Capability
The DH7 supports HDMI input and output signals up to 3840x2160 video resolution. It also offers 1:1 pixel mapping and peaking to ensure everything stays in sharp focus.

1920 x 1200 IPS Panel
The high quality IPS panel will render the best possible image regardless of the monitor's signal. With deep black and nearly perfect viewing angles, the DH7 is the perfect companion for the shooter on the go.

Inputs and Outputs
It's incredibly easy to set your 4K HDMI input and output signals on the DH7. A headphone jack and audio meter display allows you to create clean audio levels. A USB port is also included for software updates.

Battery Power
The DH7 monitor comes with the Sony L series and Canon E6 battery plate. In addition to supporting Ikan's BP5 battery plate system, it's also compatible with the Canon 900, Sony BP-U, Panasonic D54, Panasonic G6 and the Nikon EL-15!

Software Features

Peaking
Ikan monitors are equipped with Monochrome Peaking features which highlight the desired focus area in a bright, red outline. The operator adjusts the focus control until the red indicator outlines on the desired area are razor sharp, indicating optimal focus. For the best results, be sure the subject is properly exposed.

Movable pixel to pixel
The 1:1 pixel-to-pixel mapping allows the video professional to emphasize on individual chosen elements in the shot. This feature is essential for capturing optimum detail.

DSLR Scaling
The DSLR Scaling function enables users to extend their DSLR camera s HDMI video output to any option of four: Normal, 3:2, 16:9 or Full Screen - convenience made simple.

Underscan
Underscan constrains the size of your image so the monitor shows everything the camera is seeing.

€ 659.00 incl. VAT

IKAN D12-FK 11.6 Zoll 3G-SDI Full HD Monitor in hardcase

IKAN D12-FK 11.6 Zoll  3G-SDI Full HD Monitor in hardcase

The IKAN D12 is the only 11.6 inch monitor with Full HD resolution

Features:
• Resolution of 1920x1080
• IPS LCD Panel for Better Color and Viewing Angles
• Histogram for Getting the Perfect Exposure
• 3G-SDI Inputs with Loop Through
• HDMI Input with Loop Through Built-in Stereo Speaker w/ Audio I/O False Color, Peaking, Clip Guides, DSLR Scaling
• Tally System (On-Screen)
• Heavy Duty Metal Construction
• Supports VESA 100mm
• Includes Table Mount
Video Inputs
• 3G-SDI
• HDMI
• FlightCase

Whats included:
1 X AC Power Adapter
1 X Adjustable Stand Mount (Attached)
1 X D12 Monitor W/ Built-In Hard Case
1 X Gold Mount Plate - can be changed with the V-Mount plate
1 X Sunhood
1 X V-Mount Plate (Attached)

The D12 is ikan s newest member of the D-Series monitors. It features a beautiful full HD 1920 x 1080 IPS panel with great viewing angles and amazing color reproduction. The D12 feels at home on your edit suite or in the field with its included adjustable table stand with bc-20 threaded holes for attachment to light stands. The monitor is constructed of all metal to ensure durability on the most demanding sets. When It comes to I/O the D12 has you covered with its 3G-SDI and HDMI inputs and outputs.

1920 x 1080 IPS Panel

The first thing you notice when you see the D12 is its incredible Full HD IPS Panel. Packing a total of 2,073,600 pixels into its 11.6 inch 1920 x 1080 panel, the D12 gives you a super sharp image. In addition to the sharpness the fact that it s an IPS panel gives you great color rendition as well as near perfect viewing angles.

Durable Metal Construction

Durability is something the D12 excels at. The all metal frame inspires confidence whenever you take it out on the field. The table stand doubles as a yoke you can attach to most light stands with a bc-20 stud. Its handle allows you to move it freely wherever it is needed.

Input/Output

The D12 features SDI and HDMI inputs and outputs. Since the monitor is all digital you get the purest and cleanest signal directly to the LCD panel. Removing legacy analog inputs and circuits helps keep your image as clean as possible.

Power
Out in the field, battery power is essential. The D12 features hole patterns for both AB mount and V-mount battery plates to help you power it all day long. The monitor supports 7-24v giving you enough range to keep your monitor safe from most voltage spikes from power sources.




€ 1724.31 incl. VAT

IKAN EVF35-KIT

IKAN EVF35-KIT

odel: EVF35-KIT
Features
Resolution of 800x480
4K & Ultra HD Support via HDMI
HDMI Input & Output
Composite Input
Histogram
Peaking, False Color, Pixel-to-Pixel, & Clip Guides
Headphone Output
Video Inputs
HDMI
Composite

EVF35-KIT
Big things come in small packages. That is definitely the case with the VL35. This monitor packs a lot of features in its compact size. The biggest feature is its 4K capabilities. This 3.5" display is able to take your 4K and Ultra HD footage and to help you focus it also features a Pixel-to-Pixel mode so despite its small size you can still focus reliably. Its small size makes it ideal for lightweight camera systems and gimbals. Especially cameras without a built-in display. Now we have increased the versatility of this tiny workhorse and created an EVF kit. This kit turns the VL35 into a 4K electronic viewfinder giving you a clearer picture.

Increased Sharpness and Clearer Picture
The EVF35 Viewfinder allows you to get the most out of the VL35 monitor. It features high quality glass with diopter adjustment to get the image as sharp as possible. The viewfinder attaches via magnets that allow a strong hold but can be removed if needed.

4K Capabilities in a Small Size
The VL35 takes 4K or Ultra HD images and scales them down to the native resolution, producing very sharp images. With the 1:1 Pixel-to-Pixel mode, you can get down to the individual pixels and ensure that everything is in focus, making it valuable for HD footage.

Small and Lightweight
The VL35's diminutive size comes in handy in tight spaces and where weight savings are important such as with gimbals. Also with today's ever shrinking cameras sometimes the built in screen is no longer included necessitating an external monitor.

Software Features
To assist you during your productions, the VL35 has all of our standard software features such as false color and histogram to get the perfect exposure, peaking for focus assist, pixel-to-pixel, frame guides, and much more!

Inputs and Outputs
The VL35 includes HDMI input and output as well as composite input via a 3.5mm connector. For audio monitoring it also features a headphone output. For future firmware updates there is also a full size USB connector.

In the Box
The EVF35-KIT comes included with: VL35 monitor, EVF35 Viewfinder, Carry Pouch, Canon E6 Battery Plate, Screen Cleaning Wipes, USB Drive, AV Cables, and AC Adapter.




€ 375.00 incl. VAT

in stock

IKAN Saga S7H 7 Zoll 4K SDI / HDMI Monitor

IKAN Saga S7H 7 Zoll 4K SDI / HDMI Monitor

Ikan S7H 7 "HDMI / 3G-SDI On-Camera Field Monitor

features
- 1920 x 1200 Full HD Plus LCD Panel
- 700 nits Luminance LCD Panel
- 3G-SDI / HDMI inputs and outputs
- Supports DCI 4K and Ultra HD (via HDMI input)
- IPS screen for more accurate colors & higher viewing angles
- Histogram & Audio Level Display
- Peaking, False Color, Clip Guides, & Pixel to Pixel
- Headphone output
- Includes two Canon E6 battery adapter plates

S7H
The Ikan Saga (TM) series on-camera LCD monitors are high-resolution and extremely portable. The Ikan S7H is a bright 7-inch monitor that has both HDMI and 3G-SDI inputs and outputs. This versatile and affordable monitor is distinguished by its sleek and lightweight design from other bright monitors. The display offers a sharp image at 1920 x 1200 and the IPS technology ensures accurate color reproduction from a variety of angles.

High brightness
The S7H is equipped with a high-resolution, color-accurate LCD panel. With a luminance of 700 nits (cd / m²), the monitor is particularly bright and is ideal as a monitor for outdoor use.

4K processing
The S7H processes both UltraHD (3840 x 2160) and DCI 4K (4096 x 2160) via the HDMI ports. With 1: 1 pixel mapping and peaking, the sharp edges can be highlighted in red for selected frames.

1920 x 1200 IPS panel
The monitor's resolution of 1920 x 1200 provides a sharp image and the IPS technology allows for high viewing angles and accurate colors.

Inputs & outputs
The versatile S7H is compatible with all cameras and has both HDMI and 3G-SDI inputs and outputs. In addition, the monitor has a 3.5mm headphone output, so you can easily monitor your sound.

energy supply
The S7H contains two Canon E6 BP5 series battery adapter plates and can be used with two batteries at the same time, which can extend the life of the device. The optional BP5 battery adapter plates, which are available for most types of rechargeable batteries, can further enhance the flexibility and versatility of the monitor.

peaking
Ikan monitors are equipped with a monochrome peaking function. This highlights the sharp edges in the picture in red. This makes it much easier to find the right focus point.

Pixel to Pixel
1: 1 pixel mapping allows you to highlight a selected image detail. An essential feature, especially when it comes to capturing detail shots.

DSLR scaling
The DSLR Scaling feature extends the HDMI video output indicators of DSLR cameras. The functions are Normal, 3: 2, 16: 9 and Full Screen.

Under scan
The underscan mode limits the image size so that the monitor shows everything the camera sees.

package content
1 x S7H monitor
1 x AC adapter
1 x P-TAP to mini XLR cable
1 x hotshoe mount
2 x Canon E6 Battery Adapter Plate (BP5-E6)

€ 749.00 incl. VAT

IKAN DS1 Beholder Gimbal for DSLR Cameras

IKAN DS1 Beholder Gimbal for DSLR Cameras

on request

IKAN MS-PRO Beholder Gimbal for DSLR Cameras

IKAN MS-PRO Beholder Gimbal for DSLR Cameras


*** ONLY AT CVC - INCLUDING CALIBRATION AND MOTION TIMELAPSE FUNCTION !!! ***

Features
Durable All Aluminum Construction
360 Degree Movement from Yaw Axis
Works with Mirrorless Cameras up to 1.9lbs (900 grams)
Equipped with 3 Axis Gyro Stabilized Brushless Motors to Balance Most Mirrorless Cameras as well as Phones and GoPro Cameras
OLED Display Screen to show operating modes
Equipped with 32-Bit Controller & 12-Bit Encoder
Lithium Battery Powered- Low Maintenance, Eco-Friendly
Illuminated ON-OFF Switch/Battery Indicator 3/8"-16 Tripod Mount Socket

MS-PRO
The Beholder MS-PRO is designed specifically for professional filmmakers looking for a single handheld stabilizer for a large range of small cameras weighing up to 1.9 lbs. The Beholder MS-PRO is lightweight, easy to use, and can be carried in your camera bag. In addition, the MS-PRO is versatile enough to be used with a GoPro or Smartphone.

Designed for Mirrorless Cameras
With a payload of up to 1.9 lbs., the MS-PRO has the ability to stabilize a wide range of today s popular mirrorless cameras such as the Sony a6300, Sony a7SII, Panasonic GH5 and even cameras as small as a GoPro or smartphone.

Advanced Stabilization
Using a 32-bit controller with a 12-bit encoder, the MS-PRO uses an adaptive PID algorithm to produce a reliably efficient
handheld stabilizer. This means that the gimbal will respond faster, balance easier, and have a greater battery life.

Lock Mode
In Lock Mode, the Yaw, Pitch, and Roll axis work together to keep the camera pointed in one direction. The camera's composition will stay the same no matter how you move the handle.

Point & Lock
Quickly lock your camera into any position by manually pointing and holding it in any direction. After a few seconds, the camera will lock and hold its position until it is reset back to default.

Auto Inversion
Switch to Inverted Mode at any time by simply flipping the handle over the camera. Inverted Mode can be operated in conjunction with any of the Lock and Follow Modes.

Multiple Follow Modes
The MS-PRO features 3 different follow modes. In Yaw-Axis Follow Mode, the MS-PRO will only follow your pan movements. In Pitch and Yaw-Axis Follow mode, the MS-PRO will follow your pan and tilt movements. Finally, the 3-Axis Follow Mode gives you full control allowing you to pan, tilt, and roll.

OLED Status Display
A display screen located on the back of the handle conveniently provides you with information on the battery life and operating mode.

Easy to Use
With a newly designed quick-release baseplate system, the MS-PRO is easy to balance without the need of any tools.

Multiple Mounting Options
The MS-PRO handle comes with two 1/4-20 mounts that are perfect for mounting accessories such as a light, microphone, or monitor. A 3/8-16 thread located on the bottom allows you to securely mount the MS-PRO to a tripod, jib, or dual handle support system such as the Ikan DGH.

IKAN calibration service : send your MS-PRO to CVC and we do complete new calibration - you can also add wishes for functions .....
Simply send email to info@cvc.de


€ 719.00 incl. VAT

IKAN Teleprompter PT1200 12 inch for studio and field

IKAN Teleprompter PT1200 12 inch for studio and field


Features

• Includes 12" Custom Monitor
• New Adjustable Glass Frame
• Perfect Size for Portability and View-Ability
• 15 mm Rod Based for Versatility and Ease of Use
• Assembles in 60 seconds
• Ships in Reusable Foam for Easy Transport
• Includes MAC and PC Software


PT1200
The follow up to the ever popular PT2500 is Ikan's PT1200. Featuring a custom designed 12-inch monitor for the perfect balance between viewing distance and portability. The unit is designed around the industry standard 15mm rod system. This allows the whole setup to be more durable and more lightweight.

The Teleprompter Evolved
The PT1200 is the most compact full featured teleprompter we carry. The whole unit breaks apart into 3 main parts and the glass frame folds. This allows the teleprompter to pack small and tight.

Extreme Clarity
We include scientific grade, made in America, teleprompter glass. You don't have to worry about how the glass will affect your image.

Purpose Buil t
Other teleprompters include "off-the-shelf" LCD monitors designed to be used on a desk attached to your PC. We designed our monitor specifically for use as a teleprompter. The housing is made of metal for durability. The buttons and inputs are laid out for easy access. The screen is sharp and clear.

Foldable Glass Frame
To make your job easier we have made the glass frame adjustable. This way you can adjust it to match your talents view and not have to adjust your other gear. The adjustable frame also makes it easier to pack and travel.

New EV3 Quick Release Baseplate
The PT1200 is equipped with our new EV3 Quick Release Base plate. This allows you to quickly add or remove your camera. It is also adjustable in height to accommodate different sized cameras.

Take it Anywhere Safely
The PT1200 ships in custom cut high quality foam so it arrives safely at your door. We designed the dimensions of the foam to perfectly match the SKB iSeries 1914-8 Waterproof Case. Just drop it in and you are ready to go. ( Hardcase not included )

€ 1083.99 incl. VAT

CVC
Bahnhofstraße 62
66629 Freisen
+49 6855 996046 • info@cvc.de